Dotted Pumpkin 2011, reflection is presented in two modes: formally, in the continuity of the balloons’ red-and-white polka-dot pattern on the gallery walls, floor and ceiling, and in the infinite effect created by floor-to-ceiling mirrors. Both installations incorporate the viewer as a crucial element.
Dots Obsession visually approximates the hallucinations Kusama reportedly suffered as a child, in which the entirety of her surrounding space was covered with repeating patterns. The installation also reveals the artist’s careful attention to the construction of space through colour and form, and to the play of light and perspective accomplished by repeating a few simple devices — creating an immersive experience from red paint, white dots, giant balloons and strategically placed mirrors.
Kusama’s art shows her long-term fascination with organic repetitive patterns, vigorous and psychedelic colours, reflection, electric lights, and infinite space. Her vibrant, fascinating, magical work has an almost hallucinatory intensity.
*Fact, She lived voluntarily in psychiatric institution in order to hv a better understanding of psychology and inner visions!
The dots have therapeutic and overwhelming effect!
Offers the audiences a sense of floating and a vision of other worldiness
The dots have therapeutic and overwhelming effect!
Offers the audiences a sense of floating and a vision of other worldiness
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